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In macro photography, where subjects are often small and details are everything, lighting is a crucial factor that can make the difference between a flat image and a striking one. As photographers delve into this minute world, the challenge of lighting properly increases.
Although there are specific models of flashes for macro photography, shoe-mounted flashes are surely the most popular option, but are they really effective in macro photography? In this article we will explore their performances in depth: characteristics, advantages, limitations and how to optimize their use in this very specialized type of work.
What is a hot shoe flash?
A hot shoe flash is an external lighting device that is mounted on the top of the camera. It can emit light in different intensities and, depending on the model, can be adjusted manually or automatically based on the exposure of the scene.
Its main advantage is its versatility. While it is used in a wide variety of situations, from portraits to event photography, it can also be used in macro photography. However, the challenge in this discipline is that the distance between the flash and the subject is very short, and the hot shoe flash can cause overexposure problems and unwanted shadows if not used properly.
Features of the hot shoe flash light in macro photography
When we use a flash in macro photography, the size of the light source is relatively small compared to the subjects we photograph. In the case of the hot shoe flash, with its power and position above the camera, this translates into a direct and hard light that generates marked and poorly diffused shadows that are counterproductive when trying to highlight subtle details or textures. In portrait or product photography, the light can be bounced to achieve uniform or indirect lighting, but in macro photography, more precise control is required.
One way to do this is by using diffusers. With them, the light is dispersed, the harshness of the shadows is reduced and a more enveloping lighting is generated.
Advantages of hot shoe flashes in macrophotography
Despite the challenges posed by this type of direct light, the hot shoe flash offers several advantages that make it an extremely useful tool.
First of all, there is its accessibility. This type of flash is the most common and easiest to find on the market, with a wide variety of models to suit all budgets. Added to this is its portability. Hot shoe flashes are usually compact and lightweight, they can be easily transported and, more interestingly, quickly assembled or disassembled, which contrasts with the relative complexity of ring or dual flashes. This is especially useful in field photography, where it is always preferable to have a handy piece of equipment that makes things easier for us. Finally, its versatility allows it to be used in a wide range of photographic scenarios, beyond macrophotography. Its ability to adapt to various situations makes it the preferred choice among those looking for a single tool that responds to multiple styles and needs.
For those who do not dedicate themselves exclusively to macro photography, the shoe flash is undoubtedly a more practical solution.
Disadvantages of the hot shoe flash in macro photography
Despite their undoubted advantages, hot shoe flashes have some drawbacks when it comes to the results we obtain with them. One of the main ones is the appearance of pronounced shadows that we have already discussed. Since the flash is mounted on the camera, the light is emitted from an elevated position very close to the subject, which causes hard and unnatural shadows.
Another common drawback is flat lighting. When all the light comes only from the hot shoe flash, the subject tends to lose three-dimensionality, since uniform lighting eliminates the subtle shadows that create volume. As a result, images can appear two-dimensional and lacking in texture.
In addition, the hot shoe flash offers limited directional control capacity. Although some models allow you to tilt or rotate the head to adjust the angle of the light, in macro this flexibility is not always sufficient. To properly illuminate small objects from specific angles, it would be ideal to use external flashes, which is an added complication.
Finally, the shoe-mounted flash can also generate unwanted reflections on shiny surfaces. When photographing reflective objects such as jewelry, shiny-bodied insects, or certain plants, the risk of overlighting is high.
Modifications and accessories
One way to overcome the limitations described above is to use certain accessories.
Diffusers
Diffusers are one of the most common, effective and inexpensive accessories. They are placed on the head of the flash and help to soften the light, reduce harsh shadows and generate more enveloping lighting.
Reflectors
These allow us to redirect the light. Instead of shining it directly on the subject, we can bounce the light from the flash off a white or reflective surface to create indirect light that hits the subject more softly and at a different angle, giving us more control over the shadows.
Comparing hot shoe flash to other types of macro lighting
Hot shoe flash vs. ring flash
A ring flash surrounds the camera lens, providing a full-length light without harsh shadows. Unlike a shoe-mount flash, a ring flash produces more even lighting, which can be ideal in situations where aesthetic image quality is secondary, such as medical photography, and particularly dental photography. Outside of that realm, some photographers find that a ring flash produces light that is too flat and lacks depth, which is problematic if you want to highlight textures or create a three-dimensional feel.
A hot shoe flash, on the other hand, offers more flexibility in terms of directional control of light and is a useful tool in almost all genres of photography. For those who do not exclusively focus on macro photography, a hot shoe flash is undoubtedly a more practical solution.
- Learn more: Ring flashes: soft, shadowless light
Hot shoe flash vs. twin flash
Twin flashes allow for greater control over lighting, as they have two heads that can be positioned independently around the subject. This offers the ability to create more controlled light and shadow, improving three-dimensionality and eliminating the harsh shadows of hot shoe flashes.
However, twin flash systems are typically more expensive and less portable. At the same time, while they provide more targeted and patterned light, they are more complex to set up, which is exactly what photographers who need quick, portable solutions for outdoor or on-the-go shoots are not looking for.
- Learn more: Twin flashes: total control of lighting
Hot shoe flash vs. LED lights
Continuous LED lights areanother popular choice for macro photography. Unlike flashes of any kind, LED lights allows you to see how your subject is illuminated in real time, making it easier to set exposure parameters before shooting.
However, LEDs tend to be less powerful than flashes, which can be problematic if you’re shooting at small apertures (necessary to have sufficient depth of field) or in low-light environments.
Recommended Applications of Shoe-Mounted Flash in Macro Photography
While hot shoe flashes can be used in many situations, they are particularly well suited to outdoor macro photography, where you will likely want an additional light source without the need to carry around bulky equipment. Thus, in insect photography, where subjects tend to move quickly and in low-light environments, it will help you freeze motion and capture fine details. In flower, mushroom or other natural photography, you will also encounter variable light conditions or shaded areas. In both cases, it will be particularly useful when shooting with closed apertures in search of a greater depth of field.
Tips for Using a Hot Shoe Flash in Macro Photography
The shoe-mounted flash may seem like a simple tool, but mastering it takes practice. Here are some final tips to get the most out of it:
- Experiment with different diffusers: There are many types of diffusers on the market, from the simplest to more sophisticated versions. Try different ways of diffusing the light to see which one best suits your style of photography.
- Control the distance: In macro photography, a small change in the distance between the flash and the subject makes a big difference in the intensity of the light. Always keep an eye on this variable and adjust the flash power accordingly.
- Try different angles: Don’t limit yourself to shooting with the flash mounted directly on the camera. Use brackets or remote triggers to experiment with different angles of light and discover how they impact the shadows and details of your subjects.
- Don’t forget about the environment: Even if you’re focusing on a small subject, the environment can play an important role in your composition. Make sure that the light you are using not only flatters the subject, but also maintains a good relationship with the background, avoiding glare or overexposed areas.
Conclusion
The hot shoe flash is a widely versatile and accessible tool that, with the right setup and modifications, can be perfectly suited for macro photography. While it does present some specific challenges, such as a tendency to produce harsh shadows and overly direct light, there are many ways to compensate for these drawbacks, such as the use of diffusers and reflectors.
The real secret lies in understanding how to modify and direct the light from the hot shoe flash to suit the specific needs of each macro scene.
Hot Shoe Flashes for Every System
The following compilation covers the flash options available for the main mounts. Please note that specifications may vary slightly depending on the versions and firmware updates of the equipment, so we recommend always checking the latest features, checking compatibility and reading customer reviews.
Sony
Comparison table of hot shoe flashes for Sony
Move the table to the left (smartphone)
Model | GN | RT | Zoom | TTL | Slave | Head | Energy | Price |
---|---|---|---|---|---|---|---|---|
Sony HVL-F46RM | 46 | 2.0-2.5 s | 24-105mm | Yes | Yes | S/T | 4x AA | $$$$ |
Sony HVL-F60RM2 | 60 | 1.7-2.5 s | 20-200mm | Yes | Yes | S/T | 4x AA | $$$$ |
Neewer Z1-S | 60 | 1.5 s | 28-105mm | Yes | Yes | S/T | Batería litio | $$ |
Neewer Z2-S | 60 | 1.5 s | 28-105mm | Yes | Yes | S/T | Batería litio | $$ |
Neewer Z760-S | 58 | 3 s | 24-105mm | No | Yes | B | 4x AA | $ |
Neewer TT560 | 38 | 3 s | 18-55mm | No | No | B | 4x AA | $ |
Neewer NW620 | 58 | 3 s | 24-105mm | No | Yes | B | 4x AA | $ |
Godox TT350S | 36 | 2.2 s | 24-105mm | Yes | Yes | S/T | 2x AA | $ |
GODOX TT560II | 38 | 2.9 s | 18-55mm | No | Yes | B | 4x AA | $ |
Godox TT600S | 60 | 2.6 s | 24-105mm | No | Yes | S/T | 4x AA | $ |
Godox TT685IIS | 60 | 2.6 s | 24-105mm | Yes | Yes | S/T | 4x AA | $$ |
Godox V860III-S | 60 | 1.5 s | 24-105mm | Yes | Yes | S/T | Batería litio | $$$ |
Godox V1-S | 76 | 1.5 s | 28-105mm | Yes | Yes | S/T | Batería litio | $$$ |
Godox V1Pro S | 76 | 1.5 s | 28-105mm | Yes | Yes | S/T | Batería litio | $$$ |
Yongnuo YN560 IV | 58 | 3 s | 24-105mm | No | Yes | S/T | 4x AA | $ |
Yongnuo YN320EX | 31 | 2.5 s | 24-50mm | Yes | Yes | B | 2x AA | $ |
Meike MK-320S Mini | 32 | 5 s | 24-50mm | Yes | Yes | B | 2x AAA | $ |
Photoolex | 35 | 3 s | 24-105mm | No | No | B | 4x AA | $ |
RT: Recycling time
Sinc.: Synchronization
S/T: Swivel/Tilt
$Uo to 100 $; $$ 100-200 $; $$$ 200-300 $; $$$$More than 300
Canon
Comparison table of hot shoe flashes for Canon
Move the table to the left (smartphone)
Model | GN | RT | Zoom | TTL | Slave | Head | Energy | Price |
---|---|---|---|---|---|---|---|---|
Canon Speedlight 430EX II | 43 | 0.1-3.7 s | 24-105mm | Yes | Yes | S/T | Batteries AA | $$$ |
Canon Speedlite EL-100 | 26 | 5.8 s | 24mm | Yes | Yes | B | Batteries AA | $$ |
Canon 270EX II | 27 | 3.9 s | 28-50mm | Yes | Yes | B | Batteries AA | $$ |
Canon 430EX III RT EU16 | 43 | 0.1-3.5 s | 24-105mm | Yes | Yes | S/T | Batteries AA | $$$ |
Godox TT350C | 36 | 0.1-2.2 s | 24-105mm | Yes | Yes | S/T | Batteries AA | $ |
Godox TT520II | 33 | 1-2s | Fixed | No | Yes | B | Batteries AA | $ |
GODOX TT560II | 38 | 0.1-5 s | 24-105mm | No | Yes | S/T | Batteries AA | $ |
Godox TT600 | 60 | 0.1-2.6 s | 20-200mm | No | Yes | S/T | Batteries AA | $ |
Godox V860III-C | 60 | 1.5 s | 20-200mm | Yes | Yes | S/T | Lithium battery | $$$ |
Neewer TT560 | 38 | 3 s | 24-105mm | No | Yes | S/T | Batteries AA | $ |
NEEWER NW620 | 62 | 3 s | 24-105mm | Yes | Yes | S/T | Batteries AA | $ |
Neewer NW635II-C | 58 | 3 s | 20-200mm | Yes | Yes | S/T | Batteries AA | $ |
Neewer NW-670 | 58 | 0.1-5 s | 24-105mm | Yes | Yes | S/T | Batteries AA | $ |
NEEWER Z1-C | 60 | 1.5 s | 28-105mm | Yes | Yes | S/T | Lithium battery | $$ |
NEEWER Z2-C | 60 | 1.5 s | 24-105mm | Yes | Yes | S/T | Lithium battery | $$ |
NEEWER Z760-C | 76 | 1.5 s | 20-200mm | Yes | Yes | S/T | Lithium battery | $$$ |
Meike MK-320C | 32 | 0.1-5 s | 24-105mm | Yes | Yes | S/T | Batteries AA | $$ |
Meike MK430 | 43 | 0.1-5 s | 24-105mm | Yes | Yes | S/T | Batteries AA | $$ |
Meike MK950II | 58 | 0.1-5 s | 24-105mm | Yes | Yes | S/T | Batteries AA | $$ |
Metz Mecablitz 44 AF-2 | 44 | 0.1-5 s | 24-105mm | Yes | Yes | S/T | Batteries AA | $$$ |
Yongnuo YN560 IV | 58 | 0.1-5 s | 24-105mm | No | Yes | S/T | Batteries AA | $ |
Photoolex | 50 | 0.1-5 s | 24-105mm | No | Yes | S/T | Batteries AA | $ |
RT: Recycling time
Sinc.: Synchronization
S/T: Swivel/Tilt
$Uo to 100 $; $$ 100-200 $; $$$ 200-300 $; $$$$More than 300
Nikon
Comparison table of hot shoe flashes for Nikon
Move the table to the left (smartphone)
Model | GN | RT | Zoom | TTL | Slave | Head | Energy | Price |
---|---|---|---|---|---|---|---|---|
Nikon SB-700 | 38 | 2.5-3.5s | 24-120mm | Yes | Yes | S/T | Batteries AA | $$$$ |
Nikon SB-R200 | 10 | 5s | Fixed | No | Yes | B | Batteries CR123A | $$ |
Godox TT350N | 36 | 0.1-2.2s | 24-105mm | Yes | Yes | S/T | Batteries AA | $ |
Godox TT520II | 33 | 1-2s | Fixed | No | Yes | B | Batteries AA | $ |
Godox TT560II | 38 | 2.5s | Fixed | No | Yes | S/T | Batteries AA | $ |
Godox TT600 | 60 | 0.1-2.6s | 20-200mm | No | Yes | S/T | Batteries AA | $ |
Godox TT685II-N | 60 | 0.1-2.6s | 20-200mm | Yes | Yes | S/T | Batteries AA | $$ |
Godox V1 Pro N | 76 | 1.5s | 28-105mm | Yes | Yes | S/T | Lithium battery | $$$ |
Neewer NW620 | 35 | 0.3-5s | 24-105mm | Yes | Yes | S/T | Batteries AA | $ |
Neewer NW635II | 58 | 0.1-2.9s | 24-105mm | Yes | Yes | S/T | Batteries AA | $ |
Neewer NW645II-N | 60 | 0.1-2.9s | 20-200mm | Yes | Yes | S/T | Batteries AA | $$ |
Neewer NW700-N | 60 | 0.1-2.9s | 20-200mm | Yes | Yes | S/T | Batteries AA | $ |
Neewer TT560 | 38 | 2.9s | Fixed | No | Yes | S/T | Batteries AA | $ |
Neewer Z1-N | 76 | 1.5s | 28-105mm | Yes | Yes | S/T | Lithium battery | $$$ |
Neewer Z2-N | 76 | 1.5s | 28-105mm | Yes | Yes | S/T | Lithium battery | $$$ |
Neewer Z760-N | 76 | 1.5s | 20-200mm | Yes | Yes | S/T | Lithium battery | $$$ |
Voking VK750II | 58 | 0.1-5s | 24-105mm | Yes | Yes | S/T | Batteries AA | $ |
Yongnuo YN560 IV | 58 | 3s | 24-105mm | No | Yes | S/T | Batteries AA | $ |
Photoolex | 50 | 5s | Fixed | No | Yes | B | Batteries AA | $ |
RT: Recycling time
Sinc.: Synchronization
S/T: Swivel/Tilt
$Uo to 100 $; $$ 100-200 $; $$$ 200-300 $; $$$$More than 300
Fuji
Comparison table of hot shoe flashes for Fuji cameras
Move the table to the left (smartphone)
Model | GN | RT | Zoom | TTL | Slave | Head | Energy | Price |
---|---|---|---|---|---|---|---|---|
Godox TT350F | 36 | 0.1-2.2s | 24-105mm | Yes | Yes | S/T | Batteries AA | $ |
Godox TT600 | 60 | 0.1-2.6s | 20-200mm | No | Yes | S/T | Batteries AA | $ |
Godox TT685IIF | 60 | 0.1-2.6s | 20-200mm | Yes | Yes | S/T | Batteries AA | $$ |
Godox V860III-F | 60 | 1.5s | 20-200mm | Yes | Yes | S/T | Lithium battery | $$$ |
Godox V1 Pro-F | 76 | 1.5s | 28-105mm | Yes | Yes | S/T | Lithium battery | $$$ |
Godox V1 Round Head | 76 | 1.5s | 28-105mm | Yes | Yes | S/T | Lithium battery | $$$ |
Neewer TT560 | 38 | 2.9s | Fixed | No | Yes | S/T | Batteries AA | $ |
Neewer NW620 | 33 | 2.8s | Fixed | Yes | Yes | B | Batteries AA | $ |
Yongnuo YN560 IV | 58 | 3s | 24-105mm | No | Yes | S/T | Batteries AA | $ |
Photoolex | 50 | 5s | Fixed | No | Yes | B | Batteries AA | $ |
RT: Recycling time
Sinc.: Synchronization
S/T: Swivel/Tilt
$Uo to 100 $; $$ 100-200 $; $$$ 200-300 $; $$$$More than 300
Panasonic Lumix
Comparison table of hot shoe flashes for Panasonic Lumix
Move the table to the left (smartphone)
Model | GN | RT | Zoom | TTL | Slave | Head | Energy | Price |
---|---|---|---|---|---|---|---|---|
Panasonic Lumix DMW-FL200L | 20 | 5s | 12-100mm | Yes | No | B | Batteries AA | $$ |
Godox TT350o | 36 | 0.1-2.2s | 24-105mm | Yes | Yes | S/T | Batteries AA | $ |
Godox TT520II | 33 | 1-5s | Fixed | No | Yes | B | Batteries AA | $ |
Godox TT600 | 60 | 0.1-2.6s | 20-200mm | No | Yes | S/T | Batteries AA | $ |
Godox TT685II-O | 60 | 0.1-2.6s | 20-200mm | Yes | Yes | S/T | Batteries AA | $$ |
Meike MK-320P | 32 | 0.1-5s | Fixed | Yes | Yes | B | Batteries AA | $ |
Neewer TT560 | 38 | 2.9s | Fixed | No | Yes | S/T | Batteries AA | $ |
Neewer NW620 | 33 | 2.8s | Fixed | Yes | Yes | B | Batteries AA | $ |
Photoolex | 50 | 5s | Fixed | No | Yes | B | Batteries AA | $ |
GN: Recycling time
Sinc.: Synchronization
S/T: Swivel/Tilt
$Uo to 100 $; $$ 100-200 $; $$$ 200-300 $; $$$$More than 300
Olympus
Comparison table of hot shoe flashes for Olympus
Move the table to the left (smartphone)
Model | GN | RT | Zoom | TTL | Slave | Head | Energy | Price |
---|---|---|---|---|---|---|---|---|
Olympus FL-LM3 | 20 | 3s | 14-42mm | Yes | No | B | Lithium battery | $ |
Godox TT350o | 36 | 0.1-2.2s | 24-105mm | Yes | Yes | S/T | Batteries AA | $ |
Godox TT520II | 33 | 1-5s | Fixed | No | Yes | B | Batteries AA | $ |
Godox TT560II | 38 | 0.1-5s | Fixed | No | Yes | S/T | Batteries AA | $ |
Godox TT600 | 60 | 0.1-2.6s | 20-200mm | No | Yes | S/T | Batteries AA | $ |
Godox TT685II-O | 60 | 0.1-2.6s | 20-200mm | Yes | Yes | S/T | Batteries AA | $$ |
Meike MK-320P | 32 | 0.1-5s | Fixed | Yes | Yes | B | Batteries AA | $ |
Neewer TT560 | 38 | 2.9s | Fixed | No | Yes | S/T | Batteries AA | $ |
Neewer NW620 | 33 | 2.8s | Fixed | Yes | Yes | B | Batteries AA | $ |
Photoolex | 50 | 5s | Fixed | No | Yes | B | Batteries AA | $ |
RT: Recycling time
Sinc.: Synchronization
S/T: Swivel/Tilt
$Uo to 100 $; $$ 100-200 $; $$$ 200-300 $; $$$$More than 300
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